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Z365" or "Festival all year round" is the new strategic point of the Festival in which converge investigation, accompaniment and development of new talents (Ikusmira Berriak, Nest); training and cinematic knowledge transfer (Elías Querejeta Zine Eskola, Zinemaldia + Plus, Filmmakers' dialogue); and investigation, disclosure and cinematic thought (Z70 project, Thought and Discussion and Research and publications).
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Leila Guerriero (Junín. Argentina) began her journalistic career in 1991 as editor on the Página/30 magazine of the Argentinian newspaper Página/12. Since then, her articles have appeared in numerous media throughout Latin America and Europe: La Nación and Rolling Stone, in Argentina, El País, in Spain, Piauí, in Brazil, Gatopardo, in Mexico, L’Internazionale, in Italy, and Granta, in the UK, among others.
She has written the books Los suicidas del fin del mundo (Tusquets, 2004), Frutos extraños (2009, Aguilar, Alfaguara), Plano americano (2013, Ediciones Universidad Diego Portales; 2018, Anagrama), Una historia sencilla (2013, Anagrama), Zona de obras (2014, Círculo de Tiza, Anagrama), Opus Gelber (2019, Anagrama), Teoría de la gravedad (2019, Libros del Asteroide), La otra guerra (2021, Anagrama); La llamada (2024, Anagrama) and La dificultad del fantasma (2024, Anagrama).
She has received the awards: CEMEX-FNPI, González Ruano, Grand Prix Blue Metropolis and Manuel Vázquez Montalbán for cultural and political journalism. She is the editor for Latin America with the magazine Gatopardo. Her works have been translated into English, French, German, Swedish, Portuguese, Italian, Danish, Polish and Greek.
Leila Guerriero (Junín. Argentina) began her journalistic career in 1991 as editor on the Página/30 magazine of the Argentinian newspaper Página/12. Since then, her articles have appeared in numerous media throughout Latin America and Europe: La Nación and Rolling Stone, in Argentina, El País, in Spain, Piauí, in Brazil, Gatopardo, in Mexico, L’Internazionale, in Italy, and Granta, in the UK, among others.
She has written the books Los suicidas del fin del mundo (Tusquets, 2004), Frutos extraños (2009, Aguilar, Alfaguara), Plano americano (2013, Ediciones Universidad Diego Portales; 2018, Anagrama), Una historia sencilla (2013, Anagrama), Zona de obras (2014, Círculo de Tiza, Anagrama), Opus Gelber (2019, Anagrama), Teoría de la gravedad (2019, Libros del Asteroide), La otra guerra (2021, Anagrama); La llamada (2024, Anagrama) and La dificultad del fantasma (2024, Anagrama).
She has received the awards: CEMEX-FNPI, González Ruano, Grand Prix Blue Metropolis and Manuel Vázquez Montalbán for cultural and political journalism. She is the editor for Latin America with the magazine Gatopardo. Her works have been translated into English, French, German, Swedish, Portuguese, Italian, Danish, Polish and Greek.
Leila Guerriero (Junín. Argentina) began her journalistic career in 1991 as editor on the Página/30 magazine of the Argentinian newspaper Página/12. Since then, her articles have appeared in numerous media throughout Latin America and Europe: La Nación and Rolling Stone, in Argentina, El País, in Spain, Piauí, in Brazil, Gatopardo, in Mexico, L’Internazionale, in Italy, and Granta, in the UK, among others.
She has written the books Los suicidas del fin del mundo (Tusquets, 2004), Frutos extraños (2009, Aguilar, Alfaguara), Plano americano (2013, Ediciones Universidad Diego Portales; 2018, Anagrama), Una historia sencilla (2013, Anagrama), Zona de obras (2014, Círculo de Tiza, Anagrama), Opus Gelber (2019, Anagrama), Teoría de la gravedad (2019, Libros del Asteroide), La otra guerra (2021, Anagrama); La llamada (2024, Anagrama) and La dificultad del fantasma (2024, Anagrama).
She has received the awards: CEMEX-FNPI, González Ruano, Grand Prix Blue Metropolis and Manuel Vázquez Montalbán for cultural and political journalism. She is the editor for Latin America with the magazine Gatopardo. Her works have been translated into English, French, German, Swedish, Portuguese, Italian, Danish, Polish and Greek.
Leila Guerriero (Junín. Argentina) began her journalistic career in 1991 as editor on the Página/30 magazine of the Argentinian newspaper Página/12. Since then, her articles have appeared in numerous media throughout Latin America and Europe: La Nación and Rolling Stone, in Argentina, El País, in Spain, Piauí, in Brazil, Gatopardo, in Mexico, L’Internazionale, in Italy, and Granta, in the UK, among others.
She has written the books Los suicidas del fin del mundo (Tusquets, 2004), Frutos extraños (2009, Aguilar, Alfaguara), Plano americano (2013, Ediciones Universidad Diego Portales; 2018, Anagrama), Una historia sencilla (2013, Anagrama), Zona de obras (2014, Círculo de Tiza, Anagrama), Opus Gelber (2019, Anagrama), Teoría de la gravedad (2019, Libros del Asteroide), La otra guerra (2021, Anagrama); La llamada (2024, Anagrama) and La dificultad del fantasma (2024, Anagrama).
She has received the awards: CEMEX-FNPI, González Ruano, Grand Prix Blue Metropolis and Manuel Vázquez Montalbán for cultural and political journalism. She is the editor for Latin America with the magazine Gatopardo. Her works have been translated into English, French, German, Swedish, Portuguese, Italian, Danish, Polish and Greek.
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