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Z365" or "Festival all year round" is the new strategic point of the Festival in which converge investigation, accompaniment and development of new talents (Ikusmira Berriak, Nest); training and cinematic knowledge transfer (Elías Querejeta Zine Eskola, Zinemaldia + Plus, Filmmakers' dialogue); and investigation, disclosure and cinematic thought (Z70 project, Thought and Discussion and Research and publications).
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Our Newsflashes provide daily updates on the media repercussion enjoyed by the films selected for the different Festival sections and the list of professional activities scheduled for the following day. Newsflashes are sent out to all industry professionals accredited.
“It is narrated with a meticulous treatment of images and words that could be described as exquisite.” Oti Rodríguez Marchante, ABC.
“Embraces, tears and a background sound of rain and occasional thunder contribute to creating the special atmosphere of the film.” Alberto Moyano, El Diario Vasco.
“A delicacy, precision and taste for stopped time that captivates.” Luís Martínez, El Mundo.
“There are films whose existence is a miracle, and ‘Sultana’s Dream’ is one of them.” Oskar Belategui, El Correo.
“The aesthetic and sensory aspects of ‘Sultana’s Dream’ are outstanding. It is refreshing to immerse oneself in the watercolours of its two-dimensional animation, with the minimum use of technology so as not to lose the meticulous care of its craftsmanship.” Mikel G. Gurpegui
“No film in recent years has even come close to the freedom with which Isabel Herguera presents this kind of intimate, fantastical and philosophical correspondence.” Mariona Borrull, Gara.
“Gálvez and his team literally ‘erect’ a world with a very fairy-like, phantasmagorical and diabolical nature.” Begoña Teso, El Correo.
“Dolores Fonzi’s amusing debut film is filled with freshness and talent, built on the possible kinds of families and enlivened with hits from The Velvet Underground & Nico”, Alfonso Rivera, Cine Europa.
“It is a film shot with a great deal of respect, from a close and affectionate point of view, and attempting not to dramatise.” Amalur Artola, Gara.
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