72SSIFF - 20/28 September 2024
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Velodrome
Velodrome
Films
Films
Fermin Muguruza
Spain - Argentina 
86 min.
Ainhoa was born by a miracle in La Paz (Bolivia), after the death of her mother Amanda in a simulated car accident. She grew up in Cuba and in 1988, at the age of 21, she traveled to the Basque Country to discover the land of her father Manex. In the midst of repression and political conflict, she meets Josune, a committed journalist, and her gang of friends. After one of them dies of a heroin overdose, Ainhoa and Josune set out on an initiatory journey that will take them across Lebanon, Afghanistan and the city of Marseille. These are the last years of the Cold War and they will delve into the dark world of drug trafficking networks and their close links to political plots.
Paco León
Spain 
118 min.
Dora is a teenager with an extraordinary talent for music and boundless energy difficult to keep in check. After a huge fight with her father on her birthday, Dora leaves home with her dog Totó and sets out on a journey to find the mother she has never met, having disappeared when she was a baby. On the way she makes new friends who join her on a road trip to Capital City; but she also has to deal with dangerous enemies who will try at all costs to prevent her from discovering the mystery of her past. But Dora’s vitality and magic will help her to reach not only the end of her journey, but the start of another one.  
Fernando Marrero
© Fernando Marrero
Fernando León de Aranoa
Spain - Mexico 
120 min.
A portrait of Joaquín Sabina without his bowler hat, made only inches from his skin, nocturnal and calculated, by his friend, the moviemaker Fernando León de Aranoa. A story like his voice, hoarse, direct and unadorned, narrating with no extenuating circumstances the intimacy of the artist, his behind the scenes, his B side. Which starts when he comes down off the stage, which accompanies him in his everyday life, and in his unexpected moments: in the laughs and in the drama. Sintiéndolo mucho is the result of thirteen years of filming together, and it travels to all of Joaquín Sabina’s stages, public and private, in and out of the spotlight. A walk through the keys of his life and his work: of what moves him, of what inspires him, of what hurts him, always developed on the basis of lively, shared situations between the musician and the moviemaker.
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