José, a young journalist working for a conservative newspaper, has the task of reporting on the activities of a North American director engaged in a big budget production on poverty. In his articles José is opposed to the casting of local have-nots as actors in the film, and because of this, loses his job. While walking the streets he meets up with his friend, Caferate, a typical tango fanatic. José soons becomes socially marginalized.
Giorgio is a meticulous proofreader for a newspaper in which Fererico Coni is the music critic. Carlos is somewhat weird vendor. Irene is a young and gracious pianist. On day, Irene goes to Carlo's kiosk worried that Coni will give a bad review of her concert. Giorgio and Carlo calm her down by telling her that Coni never writes on debut performers. The next day, Giorgio discovers while proofreading that the critic covering her concert was Coni. Intrigued, he tries to determine the nature of the relationship between the critic and the pianist.
Ludovic, born of a savage rape, spends his first years of life constantly ill and living in a barn with a mother, Nicole, who hates him. She marries Micho, a rich mechanic who attemps to provide them with a normal life. Unfortunately, the situation does not impruve. Obssesed by th ememory of the rape, Nicoles turns alcoholic and begins to schorn ther ederly husband. She finally interns her son in an institution for the chronically ill. Whatever the rejection, Ludovic adores her. one night he escapes, thakes refuge on a raft which sets to sea, and is happy. His need for maternal love, however, makes him decide to write to his mother.
Inga, who believes she is pregnant, asks Rcihard, her boyfriend, to accept the child. Narrated in real time, this is the story of a man and a woman who, while awaiting the results of a pregnancy test, discuss their relationship, the responsibilities they face, and their future together.
For four months now, martial law has been imposed on an aran palestinian village folloowing some violent demonstrations. The Mukhtar, chief of the village, asks the Israeli military Governor for authority to marry his son in great pomp, and thus to momentarily lift martial law. The Governor hesitates for fear that the wedding turns into political rioting, but finally accepts on condition that the wedding lasts only twenty-four hors and that he and his officers be the guests of honor. The Mukhtar accepts because for him even the enemy must be tolerated when there is a feast, wedding or wake. When he returns to the village, the Mukhtar tries to convince the inhabitants of his decision, for they react differently to the invitation. He thus has to rally their support for his dream to marry his son.
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