“It captivates you with its wonderful aesthetics; despite its sober style it manages to transmit beauty, and for that very reason it is imbued with a special kind of charm.”

Beñat Eizagirre Indo, BERRIA

“’Eden’ wonderfully captures the effervescence of the French techno scene of the 1990s and the first decade of the 21st century (...)”.

Mikel G. Gurpegui, EL DIARIO VASCO ESPECIAL

Mia Hansen-Løve’s fourth film, ‘Eden’, confirms her as one of the most interesting directors in French cinema today.

Ricardo Aldarondo, EL DIARIO VASCO ESPECIAL

“She promised a portrait of a generation and she has delivered.”

Gregorio Belinchón, EL PAÍS

“‘Eden’ possesses emotional depth and narrative reach that make it an overwhelming triumph.”

Nando Salvà, EL PERIÓDICO

“(…) prodigious and powerful, Kafkaesque and dazzling at the same time.”

Begoña del Teso, EL DIARIO VASCO ESPECIAL

“(…) he has created a pleasant, delicate drama about a homosexual couple.”

Beñat Eizagirre Indo, BERRIA

“The overall tone of the film is admiring.”

Fionnuala Halligan, SCREENDAILY

“Very well told (...).”

Carlos Pumares, LA RAZÓN

“(…) features an excellent performance by Hadas Yaron, the young Meira in the film’s title.”

Juan Zapater, NOTICIAS DE GIPUZKOA

“And so this true story, this real-life legend about nature appropriating a film set and preventing its destruction, helps make ‘Simindis kundzuli’ feel like an austere, sober and fertile piece, a work of grand, splendid cinema.”

Begoña del Teso, EL DIARIO VASCO ESPECIAL

“Shot and played with a refreshing directness.”

Jonathan Holland, THE HOLLYWOOD REPORTER

“(…) the film recalls the most glorious episode in Zinemaldia’s history.”

Luis Martínez, EL MUNDO

“His new film is poetry in its purest form.” But be warned: these are verses that transform into magic.”

Víctor Esquirol, GARA

“(…) takes an intriguing look at a new breed of food-fans.”

Mark Adams, SCREENDAILY

“Berneri displays his supreme talent for creating a sense of impending chaos, and she keeps us in a state of constant tension.”

Nando Salvà, EL PERIÓDICO

“An enjoyably relaxed and intimate celebration of one of the greatest guitarists of all time.”

Jonathan Holland, THE HOLLYWOOD REPORTER

“This film has two main virtues. The first is its humour, (...). The second, (...) its ability to surprise.”

Harkaitz Cano, EL DIARIO VASCO ESPECIAL

“A documentary by the German director about the Brazilian photographer had the audience spellbound.”

O. L. Belategui, EL CORREO

“It's a droll creative gamble that combines exasperation and exhilaration in equal measure”.

Jonathan Holland, THE HOLLYWOOD REPORTER

“Masterfully crafted family drama which tackles its tricky theme with a surfeit of restrained good taste.”

Jonathan Holland, THE HOLLYWOOD REPORTER