72SSIFF - 20/28 September 2024
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09-22-2019

Commendable confidence and personal perspective (…) A shrewd interpretation of the paradoxical nature of the human beingRicardo Aldarondo, DIARIO VASCO

 

A masterclass in off-camera (…)  Zonana reveals himself as a great explorerVictor Esquirol, GARA

A captivating and visually accomplished filmFabien Lemercier, CINEUROPA

 

Alice Winocour’s staging and Eva Green’s restrained and passionate performance subtly come togetherRicardo Aldarondo, DIARIO VASCO

Lhamo and Skalbe’s strong Tibetan cultural element could see it garner further festival interestLee Marshall, SCREEN DAILY

Knows how to play its cards right. Knows how to handle the craziness of Saturday night and the nightmare of awakening from memories. I like how it gradually becomes more complex and how it leaves the ending open with no answersBegoña del Teso, DIARIO VASCO

 

The open shots, the tranquillity of the gorgeous Norwegian lakes and landscapes, the careful editing of the scenes in the church and the intense pace of the dance competitions. Young Mirjam’s situation is stifling, and the director uses seeming contradictory means of transmitting that sense of suffocationUxue Arzelus, BERRIA

Hinde Boujemaa crafts an uneven but ultimately potent women’s drama with her fictional debut.” Lee Marshall, SCREEN DAILY

A fantastic, restrained and daring film narrated with intelligence and real feelingCarlos Boyero, EL PAÍS

Audiences will be moved, surprised, amused and alternately depressed and uplifted by this excellent filmVladan Petckovic, CINEUROPA

Emanates a rare vitality and a wild extravagance that pulls you inMikel G. Gurpegui, DIARIO VASCO

A tale of the introduction to life and to the emotions. The magical component of the film takes on an ancestral dimension that is firmly rooted in the behaviour of modern societyKoldo Landaluze, GARA
 

The Japanese director has created a pleasant and entertaining film that moves along at an enjoyable paceUxue Arzelus, BERRIA

The movie makes flawless use of an oppressive aspect ratio (…) the dialogue is at times like a litany and at others like an incantation that some might say is reminiscent of ShakespeareKoldo Landaluze, GARA

Genuinely moving, without moralising or preachingUrtzi Urkizu, BERRIA

 
 
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