Z365" or "Festival all year round" is the new strategic point of the Festival in which converge investigation, accompaniment and development of new talents (Ikusmira Berriak, Nest); training and cinematic knowledge transfer (Elías Querejeta Zine Eskola, Zinemaldia + Plus, Filmmakers' dialogue); and investigation, disclosure and cinematic thought (Z70 project, Thought and Discussion and Research and publications).
Andrés Di Tella is a filmmaker. He has directed the films Montoneros, una historia (1995), Macedonio Fernández (1995), Prohibido (1997), La televisión y yo (2002), Fotografías (2007), El país del diablo (2008), Hachazos (2011) ¡Volveremos a las montañas! (2012), Máquina de sueños (2013), El ojo en el cielo (2013) and 327 cuadernos (2015). He has also created installations, performances, video art pieces and television programmes.
Two books have been dedicated to his work: by Paul Firbas and Pedro Meira Monteiro, ed., Andrés Di Tella: cine documental y archivo personal (Siglo XXI, Buenos Aires, 2006); and by Casimiro Torreiro (ed.), Inventario de regresos. El cine documental de Andrés Di Tella, (Cines del Sur, Granada, 2011). Paulo Antonio Paranagua, in Cine Documental en América Latina (Cátedra, Madrid, 2003), dedicates a chapter to him, singling him out as one of the American continent’s most important documentary-makers.
Retrospectives of his work at have been organised at the Centro Cultural Rojas, Buenos Aires University; Filmoteca de Catalunya, Barcelona; Filmoteca Española, Madrid; Lima Festival; Cines del Sur, Granada; Museo Nacional de Artes Visuales, Montevideo; E Tudo Verdade in Sao Paulo, Rio de Janeiro and Brasilia; Festival dei Popoli, Florence; Cine UC, Santiago de Chile; Tabakalera, International Centre for Contemporary Culture, San Sebastian; Centro Galego de Artes da Imaxe, A Coruña; and Casa de América, Madrid.