Many migrants live in search of a mirror in which to recognize themselves; they are not from here, but they are not from there either. Los Williams / The Williams, a feature-length documentary, familiar and sporting, told in first-person by Iñaki and Nico Williams. Two brothers, footballers, Basques and "beltzas" or black, of Ghanaian descent, reveal their incredible tale across the two most crucial years of their lives. From their historic participation in the Qatar World Cup with two different selections, to the long-awaited victory of the Athletic Club in the Copa del Rey after 40 years, and Nico's triumph at the European Championship. Two international stars, face to face with their past and their future, through the conflicts that have marked their lives: racism, identity, frustration, ambition, and success.

Featuring exclusive interviews and unprecedented access to the Chaplin estate, the film is a revealing exploration of Chaplin’s Romany heritage constructed from intimate interviews, film extracts, home movies and contributions from renowned contemporary Roma artists.

Daybreak in summer. A young girl from San Sebastian makes her way to the Peine del Viento (Wind Comb). She remembers the old sculptor Eduardo Chillida, who had been coming here since he was a boy. Today his three sculptures anchored to the rocks, in permanent conversation with the sea and the wind, have become a distinguishing feature of his city and of the whole Basque coast. At dawn, the young Jone asks herself about the sculptor and promises herself that she will go and find him.

"En 1979 Our Lady of Zikuñaga disappeared, leaving the locals bereft of their iconic image. An empty space in a niche. A collective void. This is a film about spaces. My father, Juanmi Gutiérrez, a filmmaker, died some years ago. Now, from the distance, I return to his films in an exercise of personal memory through an image, or rather, through its absence. Can the lack of an image be as powerful as its presence? And if so, what should we do with that void?" (Pello Gutiérrez Peñalba)

Bernardo and Esperanza met in Bilbao in 1978, when both were students at university in the midst of the turbulent political circumstances of the time. They had an on-off relationship - brimming with passionate encounters and inexplicable misunderstandings - until in 2001, during a trip to Havana to visit the aunt and cousin she had never met, the two forever went their different ways.

When her father and uncles die, Jone (Josemi's daughter) decides to make a documentary about the Ibarretxe Brothers. Pioneers in the Basque audiovisual sector, creative, cheeky and always up to something, they were devoted to cinema made in Euskadi long before it was a reality. Analysing their films and talking to people who accompanied them (Stephen Fry, Echanove, Ramon Barea, Santiago Segura, José Luis Rebordinos), Jone gradually comes to realise that their cinema is nothing more than a faithful reflection of their own selves.

Forty years after ETA kidnapped her family and the State tortured and murdered her father, Tamara Muruetagoiena throws herself into the indefatigable search for the truth and justice, while personally telling us about her family tragedy: the revolutionary tax, the fact of her 17-day kidnapping by ETA, her family's falling apart, the State harassment and the political pressure they suffered, the trial, the arrest of her father and mother, the torture endured, the murder... but also her own path, that of knowing the truth and recognising it and of the use of dialogue as the principal means of resolving conflicts.

Coinciding with the 40th anniversary of the birth of the iconic TV show La bola de cristal / The Crystal Ball, the documentary focuses on its creator, a woman ahead of her time, modern and courageous. Los poderes de Lolo looks at the impressions of her children, friends and work colleagues. Javier Gurruchaga, Kiko Veneno, Loquillo and Anabel Alonso, among others, remember what it was like to work in La bola with Lolo Rico, a woman who rebelled against the traditional role assigned to her by society.

By means of a journey through the life of the filmmaker Benito Ansola and with the writer Miren Agur Meabe by our side, we will travel through the history of Basque cinema, from the germ of both Basque cinema and of films made in the Basque language until their present-day efflorescence. But Miren Agur Meabe won't be alone. On this voyage, we will have magnificent assistants. Myriad eminent Basque filmmakers who have played a lead part in and witnessed its evolution will tell us its story.

A car, music, two divorced 40-somethings bonking non-stop... What could possibly go wrong? Everything! Xabier and Miren are stuck fast to one another, turning a night that was shaping up to be great fun into a hellish experience for the couple, especially when their respective daughters arrive at the hospital.

In the year 2000, Nevenka Fernández, the Finance Councillor of Ponferrada Town Council, is relentlessly hounded by the mayor, a man used to getting his way both politically and personally. Nevenka decides to report him, knowing that it will cost her dearly. A story based on true events turning its lead character into a forerunner of the #metoo movement due to being the first person to take an influential politician to court for sexual and labour harassment.

After 30 years of marriage and two children, Miren leaves the family home and reports her husband for continued rape. This serious accusation forces the children to choose between believing their mother or supporting a father who claims his innocence. A family odyssey running parallel to a legal process with the same goal: to discover the truth. 4-episode miniseries.

Irune, a woman who keeps to herself, lacks self confidence and has hypochondriac tendencies, works in a paper mill on the edge of an industrial town. Her life is limited to a few acquaintances: her work colleagues, a neighbour with whom she shares something of a friendship and a railway company employee she consults on the times of trains she never takes. Her fragile balance will fall to pieces when she feels a lump in her breast, coinciding with a work conflict in which she is personally involved. Suddenly her life takes an expected turn, offering her the chance, perhaps without knowing it, she had always been waiting for.

A small community brought to its knees by an environmental crisis adapts as it can to the new reality. The more privileged inhabitants enjoy a hedonistic life based on the notion of carpe diem, while the others have no choice but to get by as they can. What does the future hold? If there’s nothing else, can anything save us?

Based on true events, Marco explores the story of a concentration camp deportee who never existed. Enric Marco, an immensely charismatic man who, for years, was able to maintain, before public opinion and his own family, a deeply complex lie: that he had been a prisoner in a Nazi concentration camp. A man who rose to the presidency of the Spanish Association of Holocaust Victims, who became a prominent and admired figure for his supposed bravery and suffering. Until one day, a historian discovered that his survival story was, in fact, a complete lie. 

El tercer paisaje / The Third Landscape is a film project that has as its protagonist the fungus that made the painted forest of Oma sick, the work that the Basque artist Agustín Ibarrola carried out in the 80s in the province of Bizkaia. This artwork belongs to the Land Art movement, which is mainly characterized by its ephemeral nature. Within this current, artists leave their works exhibited at the mercy of weather conditions and other elements alien to human will.

As a mysterious leader imposes his law in The Platform a new female inmate takes up arms in the battle against this controversial method of waging war against the brutal food system. But when eating from the wrong plate turns into a death sentence, just how far will you be willing to go to save your life?

Nina decides to return to the coastal town where she grew up, with a gun in her bag and a purpose: to take revenge on Pedro, a famous author now receiving tribute from the town. The reconnection with the place of her birth, with her memories of the past and with Blas, a childhood friend, will make her wonder if revenge is her only option.

Although born as a TV movie, Go!azen is now in its 11th season. In each one the first musical series produced in the Basque Country brings a new summer in the Basakabi camp with covers of well-known songs from yesterday and today. This year's episodes will offer yet another season packed with fun and adventures.

In a world inhabited by androids who live, dream and play, two robots are built in the same factory. With the same materials and at the same time. But years will go by before they can get together. Alex, who has an obvious manufacturing defect, is sent by his parents to a small school in the suburbs, whilst Bibi is raised in a conservative and enormously demanding environment, controlled by her parents and teachers. Alex and Bibi love football. He thinks he can't play. She's not allowed to. Yet they meet up with a group of marvellous and exciting robots at the football pitch. And when the chance arises to enter children's competition, Alex and his friends will do everything possible for Bibi to join in, showing everyone just what she's capable of to make her dream come true.