A total of 38 productions – 27 full-length, five medium-length and three short films plus three series – make up the participation of Basque cinema in the Festival’s 73rd edition. The works are programmed in different sections: Official Selection, New Directors, Horizontes Latinos, Zabaltegi-Tabakalera, Nest, Culinary Zinema, Zinemira, Made in Spain, Velodrome, Movies for Kids, Klasikoak, the EITB Gala and the RTVE Galas.
Zinemira is a section specifically dedicated to Basque cinema, this year including thirteen proposals. Four of these are feature films to have their world premiere at the Festival, thus entitling them to compete for the Irizar Basque Film Award, coming with 20,000 euros for the producers of the winning film. Organised by the San Sebastián Festival and the Basque Government Department of Culture, the Zinemira section is sponsored by Irizar, EITB and Urbil, and enjoys the collaboration of the Filmoteca Vasca, the EPE-IBAIA producers association and Zineuskadi.
Inge Mendioroz (Andoain, 1973) will open the section with her second non-fiction. Based on archive footage and the testimonials of personalities from the helmed the biography Lurdes Iriondo, ez gera alferrik pasako, narrating the life of this icon of Basque song from a different angle.
Zinemira will close with Hombre bala, another biographical non-fiction about a famous figure from the world of Basque music. In her feature film debut, Anuska Ariztimuño (Errenteria, 1984), who boasts an extensive background in advertising work, delves into the professional career and personal life of the musician from San Sebastián, Mikel Erentxun.
Gaizka Urresti (Bilbao, 1967) also brings the portrait of a figure connected to culture in Eloy de la Iglesia, adicto al cine / Eloy de la Iglesia, Film Addict. Urresti has directed numerous biopics (on the subject, amongst others, of Labordeta, Arizmendiarrieta and Buñuel) in addition to other non-fictions. With Labolrdeta,un hombre sin más, he landed the Goya Award to Best documentary film and, a year later, / the Goya Award for Best Short Feature Film in 2013 for Abstenerse agencias.
The non-fiction Arg(h)itzen: torturaz argi hitz egiten, tortura argitzen / Arg(h)itzen: Speaking clearly of torture, enlightening torture is the result of collective work lead by Manu Gomez. With the aim of clarifying the nature of torture and how the impunity structures of state function, the film includes the testimonials of 30 people who were tortured in the Navarran region of Sakana between 1966 and 2011.
As well as these titles, other world premieres programmed in sections apart from Zinemira will also compete for the Irizar Basque Film Award. In the first place, participating in the Official Selection competition are Maspalomas, by Jose Mari Goenaga (Ordizia, 1976) and Aitor Arregi (Oñati, 1977); Los Tigres, by Alberto Rodríguez (Seville, 1971), and Los domingos / Sundays, by Alauda Ruiz de Azúa (Barakaldo, 1978), whilst the representatives out of competition in the Official Selection will be Un fantasma en la batalla / She Walks in Darkness, by Agustín Díaz Yanes (Madrid, 1950), and Karmele, by Asier Altuna (Bergara, 1969), both programmed as Special Screenings. Also competing for the Irizar Award is a film showing in New Directors, another in Zabaltegi-Tabakalera, a feature film in Culinary Zinema and one of those showing at the RTVE Galas: Aro berria, by Irati Gorostidi Agirretxe (Eguesibar, 1988); El último arrebato / The Last Rapture, by Marta Medina (Valladolid, 1986) and Enrique López Lavigne (Madrid, 1967); Tetsu, txispa, hoshi, by Jon Arregui Larrazabal (Portugalete, 1970), and La tregua / The Truce, by Miguel Ángel Vivas, respectively.
The short film Natura fugit, by Jesus Mari Lazkano (Bergara, 1960), will screen at the opening of Zinemira alongside the feature film Lurdes Iriondo, ez gera alferrik pasako. After his documentary ARTiKO, he well-known artist from Gipuzkoa made this frame-by-frame animated film over four years, using almost 3,000 large-format drawings.
The Zinemira section comes with eight productions not competing for the Irizar Basque Film Award due to having been premiered prior to their screening in San Sebastián: Daniela Forever, the latest work from Nacho Vigalondo (Cabezón de la Sal, 1977), who competed for the best film award at the Sitges Festival; Ombuaren itzala, the directorial debut from the actor Patxi Bisquert (Zizurkil, 1952), narrating a period in the life of the bertsolari -improviser of Basque verse-, Pello Mari Otaño; Los aitas / Breaking Walls, the latest comedy from Borja Cobeaga (San Sebastián, 1977), premiered out of competition in the official selection at Málaga; Faisaien irla / Pheasant Island, the feature film debut from Asier Urbieta (San Sebastián, 1979), which competed at the Göteborg Festival and screened out of competition in Málaga; Popel / Ashes (Errautsak), the non-fiction debut from Oier Plaza (Gernika, 1982), which had its premiere in Prague; Jone, batzuetan / Jone, Sometimes, the debut with which Sara Fantova (Bilbao, 1993) landed a special jury mention at the Málaga Festival; Itoiz udako sesioak / Itoiz Summer Sessions, a film which competed in Gijón directed by Larraitz Zuazo (Bilbao, 1980), Zuri Goikoetxea (Vitoria, 1984) and Ainhoa Andraka (Bilbao, 1982), and the non-fiction Gregorio Ordoñez, el asesinato que despertó la rebelión contra ETA, directed by the journalists from El Diario Vasco Arantxa Aldaz (San Sebastián, 1982), Javier Roldán (San Sebastián, 1962) and David Taberna (San Sebastián, 1978).
In addition to the candidates for the Irizar Award and to the films showing in Zinemira, the Festival will include other Basque productions in its programme. Koldo Almandoz (San Sebastián, 1973), the director of Sipo phantasma (Zabaltegi-Tabakalera, 2016), Oreina / The Deer (New Directors, 2018) and Hondar ahoak (2020), will premiere the series Zeru ahoak / Sky Mouths out of competition in the Official Selection Special Screenings. Horizontes Latinos will see the participation of La misteriosa mirada del flamenco / The Mysterious Gaze of the Flamingo, from the Chilean Diego Céspedes (Santiago, 1995), winner of the Ikusmira Berriak Award in 2020 and of the Un Certain Regard Award at Cannes this year, while Zabaltegi-Tabakalera will include a screening out of competition of the short film Bariazioak / Variations, by Lur Olaizola Lizarralde (San Sebastián, 1988), and Nest, the section for film students, A solidão dos lagartos / The Loneliness of Lizards, by the Elías Querejeta Zine Eskola student, Inés Nunes (Tavira, 1993).
Participating in the Made in Spain section are five Basque productions: Nosotros / The Story of Us, by Helena Taberna (Alsasua); 8, by Julio Medem (San Sebastián, 1958); La infiltrada I Undercover, by Arantxa Echevarría (Bilbao, 1968); ¡Caigan las rosas blancas! White Roses, Fall!, by Albertina Carri (Buenos Aires, 1973), and Miss Carbón / Queen of Coal, by Agustina Macri (Buenos Aires, 1982). For its part, the Velodrome will yet another year host the presentation of the latest season of the series Go!azen directed by Itziar Gómez Sarasola (Errenteria, 1964) and, for the first time, the EITB Gala bringing the premiere of Gipuzkoa hegan, the first episode of the programme Euskal Herria Hegan directed by Javi Gutiérrez (Bilbao, 1965) and Lorea Pérez de Albeniz (Elgoibar, 1974). The Moveis for Kids section will also programme a Basque production Heidi, katamotzaren erreskatea / Heidi Rescue of the Lynx by Tobias Schwarz and Aizea Roca. Lastly, the Klasikoak section will screen the medium-length films restored jointly by the Filmoteca Vasca and EITB, Hamaseigarrenean aidanez (Anjel Lertxundi, 1985), Ehun metro (Alfonso Ungría, 1985), Zergatik panpox (Xabier Elorriaga, 1985) and Oraingoz izen gabe (José Julián Bakedano, 1986).
The Zinemira Award is an honorary accolade given by the San Sebastián Festival and the EPE-IBAIA producers association in recognition of the career of a personality from the world of Basque cinema. Its recipients to date have been Imanol Uribe (2009), Álex Angulo (2010), Elías Querejeta (2011), Michel Gaztambide (2012), Juanba Berasategi (2013), Pedro Olea (2014), Karmele Soler (2015), Ramón Barea (2016), Julia Juániz (2017), Ramon Agirre (2018), José María Txepe Lara (2019), Sara Bilbatua (2020), Kimuak (2021), Txema Areizaga (2022), Paco Sagarzazu (2023) and Elena Irureta (2024). This year, the Festival and EPE-IBAIA will pay tribute to the filmmakers Telmo Esnal and Asier Altuna at the Great Basque Cinema Gala that will take place at the Victoria Eugenia Theatre on September 23.
Telmo Esnal (Zarautz, 1966) and Asier Altuna (Bergara, 1969) started out on their film career together with the short films Txotx (1997) and 40 ezetz (1999). In 2005 they made their feature film debut, jointly directing Aupa Etxebeste! (New Directors, 2005), whose 20th anniversary coincides this year with presentation of the Zinemira Award. That comedy earned the tandem from Gipuzkoa the Youth Award at the San Sebastián Festival, as well as a nomination for Best New Director at the Goya Awards. The work became a landmark with respect to films made in the Basque language, given that its success lent visibility and legitimacy to productions made in Euskera. Since then, Basque production has gained in strength and enjoys continuity, both in the San Sebastián Festival’s Official Selection and other sections and in the commercial circuit. Esnal and Altuna have subsequently gone on to collaborate in other films, for instance working on the screenplay of Urte berri on, amona! (New Directors, 2011); Iraila, a segment of the omnibus feature film Kalebegiak (Velodrome, 2016), and on the sequel of their debut, Agur, Etxebeste! (Basque Cinema Gala, 2019).
Solo, the two have parked their love of comedy. Esnal has directed, amongst other works, Dantza (Official Selection, Special Screenings, out of competition 2018), a poetical portrait of Basque society seen through traditional dance, and Urtzen (Zinemira, 2020), a reflection on existence. Altuna, for his part, has directed, amongst other works, Bertsolari (Official Selection out of competition, 2011), a journey through improvised verse; Amama (Official selection, 2015), a fictional tale reflecting the conflict between two manners of understanding life and which won the Irizar Award, ARZAK since 1897 (Culinary Zinema, 2020), addressing the evolution of Basque gastronomy, and Hondalea: abismo marino / Hondalea: Marine Abyss (Basque Cinema Gala, 2021), which explores the work of the sculptor Cristina Iglesias. At this edition, Altuna also participates in the Festival with presentation of the feature film Karmele in the Official Selection Special Screenings out of competition.
Esnal and Altuna also directed the EITB series Brinkola (2009) and have, throughout their career and either together or alone, put their names to a good number of short films, many of them included in the Kimuak catalogue: Topeka (2004), Sarean (2005),Taxi? (2007), Setioa (2007), Amona putz! (2009), Artalde (2011), Hamaiketakoa (2012), Zela trovke (Cortando hierba, 2013) and Soroa (2014).
Lending continuity to the collaboration between the San Sebastián Festival and Urbil, sponsor of the Zinemira section, the URBIL cinemas (Cinesa) will host the screening of some of the works programmed at the Festival.
A showing of Faisaien irla / Pheasant Island, the feature film programmed in the Zinemira section, will be attended by the film delegation. Also screening during the two weekends of the Festival are the three films featuring in the Movies for Kids section. In addition, between the two screenings of Go!azen at the Velodrome, a further screening of the series will take place at URBIL Cinemas on the 25th.
ZINEMIRA
Section dedicated to Basque cinema organised by the San Sebastian Festival and the Basque Government Department of Culture, with the sponsorship of Irizar, EiTB and Urbil, and the collaboration of the Filmoteca Vasca, EPE-IBAIA and Zineuskadi.
A singer frozen in old black and white photos. Forever young. Encapsulated. Trapped in the frame, just like her voice on her vinyl records.
Forgetting that the point of view is chosen. Forgetting that, in addition to being a singer, Lurdes Iriondo is also an essential reference in the transmission of Basque culture. She understood that children were the key, and she worked for them.
Animated short film based on the drawings of the artist Jesus Mari Lazkano and showing us the transformation of the Mer de Glace glaciar in Chamonix. The film opens with an introduction narrating the history of the loss of a painting on the subject by Caspar Friedrich dating from 1824, which disappeared during the desperate flight of the Nazis from Berlin in May 1945. It continues with a physical zoom out, a journey to the outside of the galaxy, serving to go back in time to the last glacial period (2 million years ago).
The musical career spanning 40 years and the relationship of 25 years with his partner provide the excuse to look at the life and history of 60-year-old Mikel Erentxun, one of the most influential artists in the national music scene. Delving into the artist's professional background and his personal life is part of the essence of this film. Embracing his fear of death and, above all, of the passing of time, means that Mikel has to make important decisions in his life.
The documentary Arg(h)itzen features the testimonials of 30 people who were subjected to torture in the Sakana region between the years of 1966 and 2011, through a rigorous and dynamic story. Not only does it show what torture is and how it can be recovered from, but it also reveals, through experts, the State structures of impunity. This is the result of an enormous work of collaboration between neighbours to highlight the truth about torture and create the path towards its complete eradication.
Life loses all meaning for Nicolas (Henry Golding) with the loss of his girlfriend Daniela (Beatrice Grannò). One day he is invited to participate in a clinical trial that will enable him able to control his dreams. He agrees with the hope of recovering. Now Nicolás can dream of Daniela every night and resume their relationship, more blissful than ever. Even if it is in his dreams. And running the risk of forever losing himself in them.
A dauntless film director, an enfant terrible in his early days, confrontational with censorship, always pushing the boundaries of freedom of expression, chronicler of the darkest corners of the transition, De la Iglesia will fall into the clutches of drug addiction, being forgotten and sometimes repudiated for more than a decade before eventually shaking off the ostracism to make films once again, that habit he could never kick.
Pheasant Island is the world's smallest area of jointly owned land. For half of the year it belongs to the Spanish state, and for the other half to the French. It stands in the middle of the Bidasoa river, a natural border separating the two states. Laida and Sambou, a local couple, are taking a stroll in front of the island. Suddenly they see two people trying to swim across the river to the other side. Days later a body appears during the event to exchange sovereignty of the island. Who is going to take charge?
The documentary Gregorio Ordóñez, el asesinato que despertó la rebelión contra ETA is an exercise of memory recalling the figure of the People's Party councillor and Deputy Mayor of San Sebastián on the 30th year of his assassination. The production looks back at the circumstances of his attack, the context of the Basque Country and San Sebastián in particular in 1995 and the events that followed his murder.
The finding of a series of unpublished tapes prompts Juan Carlos Pérez, leader of the iconic band Itoiz, to think back over their break-up at the height of their fame, following an obvious change of style towards the pop music that he continues to spurn today. Juan Carlos therefore sets out on a cathartic journey into the essence of the group, reliving its early days as a prog-rock group in the Mutriku of the early 70s as he comes to terms with the past.
Bilbao, mid-August. Jone (20) lives with her father and her younger sister Marta. Her father has had to leave his job, unable to continue due to the complications of Parkinson's. Meanwhile the Big Week festivities kick off in Bilbao, during which Jone will fall in love for the first time. During this summer, Jone will alternate between the sensation of immortality she enjoys with Olga, the girl she falls for, and the fear of being left alone because of her father's disease.
In the working class suburbs of Bilbao in the late 80s, a rhythmic gymnastics team gets ready to compete in a championship to take place in Berlin. When the mothers are unable to accompany their daughters, the task falls to the men, who show scarce interest in the trip, or in the sport, or even in their own daughters. This will be a long journey, as the Berlin Wall falls, during which they will discover a new way to be fathers.
The poet and bertsolari (improviser of Basque verse), Pello Mari Otaño fled to Argentina for the first time to avoid being drafted. Falling ill at the age of 33, he returns to Gipuzkoa. He meets Madalen Alberdi, marries her and sets up home in San Sebastián. He participates in several literary events, where he stands out for his poetical compositions. Unable to maintain his family and his political condition, a liberal republican and supporter of the fuero system of regional privileges, he returns to Argentina for the last time with his wife and three children.
After reading the novel El impostor, Professor Unai Eguía begins an investigation to uncover what happened to Enric Moner, a Catalan republican deported to Nazi camps. At the same time, Antón Gandarias investigates his uncle Anjel Lekuona, who was captured by the Gestapo in exile. Their paths cross and their investigations take them to Prague, where they discover the incredible story of František Suchý and his son, who risked their lives to save the ashes of 2,000 victims of Nazism.
OFFICIAL SELECTION - In Competition
Los domingos / Sundays tells the story of Ainara, an idealistic and brilliant 17-year-old who has to decide what university degree to pursue — or at least that's what her family hopes she will do. However, the young woman says she feels increasingly closer to God and is considering embracing the life of a cloistered nun. The news takes the entire family by surprise, creating a chasm and putting everyone to the test.
Antonio and Estrella are siblings. Their father was a diver. They have spent their whole lives at sea. Antonio is known as The Tiger, an indomitable diver and the perfect buddy to have with you when you risk your life in only a few seconds, every day. Estrella helps her brother on the barge where they work. She keeps him grounded; out of the water, Antonio is a real mess. He has always lived in the moment, never thinking about the future, leaving him with barely a penny to his name. When Antonio has an accident, he is told that his diving days will soon be over. The future looks dark and complicated. However, this situation may just change when they find a stash of cocaine hidden in the hull of an oil tanker. Antonio sees no other option, but his sister Estrella has her doubts. As always.
After breaking up with his partner, 76 year-old Vicente leads life the way he likes it in Maspalomas: he spends his days lying in the sun, partying, and looking for pleasure. An unexpected accident obliges him to return to San Sebastián and to the daughter he abandoned years ago. Vicente will have to live in a retirement home where he finds himself driven back into the closet and to conceal a part of himself that he thought was long resolved. In this new environment, Vicente must ask himself if he has enough time left to make his peace with others… and with himself.
OFFICIAL SELECTION - Not in Competition
She Walks in Darkness draws inspiration from the biggest covert operation against ETA, which marked a turning point in the fight against terrorism in Spain. Based on the historical, political and social context of the 90s and the 2000s, the film tells the story of Amaia, a young Civil Guard who spends more than ten years with the terrorist group as an undercover agent, tasked with finding the hiding places used by the organisation in southern France.
OFFICIAL SELECTION - Special Screenings
The Basque Country, 1937. Driven from their home when war breaks out, Karmele and her family flee to France, where she is contacted by the Basque cultural embassy in exile, who use music and dance to combat the war. There she meets and falls in love with Txomin, a professional trumpet player. After living in Venezuela for a time, the couple come home with the hope of recovering everything that was taken from them.
Nerea Garcia is having a rough time of it; it’s four years since she was thrown out of the Basque Ertzaintza police force and she now leads a solitary life in her Bilbao home. The appearance of a woman’s corpse, murdered in some kind of ritual, prompts her former boss to ask her for help with the investigation. What Nerea hadn’t realised is that ghosts from the past and present would lead her down into the bowels of the city, where nothing and nobody is what it seems.
NEW DIRECTORS
San Sebastian, 1978. The workers at the water meter factory hold an assembly to discuss a strike, which ultimately fails. Disappointed, the most non-conformist workers turn their aspirations for radical transformation towards more intimate spheres. Some leave the factory to join an isolated community in the mountains, where dozens of young people embarked on an intense journey of shared cathartic experiences.
HORIZONTES LATINOS
In the early 80s, in the Chilean desert, 11-year-old Lidia is raised by a queer family banished to the outskirts of an unpleasant and dusty mining town. They are accused of causing a mysterious disease that’s starting to spread, said to be passed on through a simple gaze, when one man falls for another. In this modern western, Lidia leads the quest for revenge, taking on the violence, the fear and the hatred, where the family is her only haven and love could be the real danger.
ZABALTEGI-TABAKALERA
Arrebato (1980) is the greatest cult movie of today’s Spanish cinema and Iván Zulueta, its director, an accursed filmmaker. Arrebato was the film that forecast the end of the movida, a dark and harrowing reel whose history and intra-history are intimately linked. Arrebato acts as a premonition of the director’s own life. Just like his actors, Zulueta will end up being brought down by drugs and the cinema and, like them, will also disappear.
Alicia teaches book binding to students Maite, Unai and Merche. They share a workshop where they cut, sew and glue the pages to give the books a longer life. While each one works on their book, they talk about life, grief and its different variations.
NEST
In a spa surrounded by mountains of salt, guests relax and sunbathe, while workers collect the glowing crystals under the sun. Children run off, escaping the watchful eyes of adults, and a woman drifts through this landscape in a haze, detached from reality. As night falls, the space transforms, shaped by the desires of those who pass through.
CULINARY ZINEMA
One day, Tetsuro Maeda (Tetsu) leaves home, at the foot of Mount Anboto, makes his way through the forests of the Atxondo Valley and arrives at his restaurant, Txispa. As he works, he recalls his life, since he was born in Tokyo, 40 years ago, until today, when his restaurant boasts a Michelin star. Surrounded by the scents and flavours of Anboto, a mythical mountain for the Basques, Tetsu thinks about his dishes, lending them shape and colour to ensure that those eating them may taste the breathtaking landscape visible from its summit.
MADE IN SPAIN
Violeta, a young film director who, at one stage in her life, made a porn, lesbian and delectable film, is hired to make a mainstream porn movie. Her take on the gender system - cinematic and sexual - prevents her from making it. Together with her girlfriends, she leaves the southern climes of Buenos Aires for the warmth of São Paulo, finding new ways to tell the story on the way. Nothing satisfies her, until she plunges into the Atlantic Ocean for a swim and comes across an island.
Octavio and Adela were born in neighbouring towns on the same morning as the proclamation of the Second Republic in Spain. From that day on, without them realising it, their lives will be connected, intertwined in the shape of an "8", during 8 crucial moments in the 90 years of their lives. Meanwhile, in the background, is the Spain of their day. Their fates, separate but united, on opposing sides, gradually start attracting one another until finally completely merging in their late but well-deserved love story.
After years as an undercover agent amongst the nationalist left-wing as just another sympathiser of the ETA terrorist group, a police officer achieves her holy grail when ETA gets in touch with her. They need her to take in two members of ETA while they prepare a series of attacks. This is the start of the most difficult mission of her life: to keep her superiors informed whilst living with terrorists who won't think twice about killing her if they have any suspicions whatsoever.
Taking its inspiration from true events, Miss Carbón is a tale of perseverance, passion and dreams that defy gender boundaries. Carlita became the first female miner in a town where women were forbidden from entering the main source of local income: the coal mine. Superstitous belief considered that women meant the threat of cave-ins and that mining work was exclusively for men.
The Story of Us reconstructs a love story starting with its end. Ángela and Antonio are a couple who, like so many others, fell in love, shared dreams, had children, tried hard not to give up and fell several times. When love ends, the questions arise: Where did it all go wrong? How did we end up like this? On a journey through the highs and lows of their relationship, Ángela and Antonio struggle against the passing of time, the interferences of desire and the idealisation of love.
VELODROME
Although born as a TV movie, Go!azen is now in its 12th season. In each one the first musical series produced in the Basque Country brings a new summer in the Basakabi camp with covers of well-known songs from yesterday and today. This year's episodes will offer yet another season packed with fun and adventures.
MOVIES FOR KIDS
When Heidi finds an injured lynx in the mountains, she sets out on a brave mission with her friend Peter to return it to its family, facing up to an evil businessman who is threatening nature and her home.
KLASIKOAK
It’s 8 in the morning one summer in the early 70s. Ion, an ETA activist, runs for his life through San Sebastian’s Old Town with the police hot on his heels. The city is coming to life, and people are going about their usual routine. As he runs, Ion looks back at the story of his life. His memories of school, where he was forced to renounce his identity, alternate with the look in his father’s eyes and the figure of Madeleine.
Domingo lives for gambling. He takes bets at rowing boat races, pelota courts and the squares where all sorts of competitions ar. But it’s also an obsession that pushes him to take risks, always in cahoots with his cowardly and cynical sidekick, Kornelio. The loneliness of his wife Marcelina reveals the other side of a tale where tragedy could strike at any time.
Manuel narrates his peaceful life with his brother Ramón until the arrival of a prostitute turns everything on its head. Esther’s presence sparks tension and conflict between the siblings until things come to a tragic end. The film explores family relations and repressed emotions in a rural environment.
Based on the novel of the same name by Arantxa Urretabizkaia, the film follows the life of a 30 year-old married woman and her son. The protagonist asks herself what drove her husband, Txema, to leave her alone with their child. Internal monologues serve to explore subjects such as motherhood, loneliness and everyday routine in the Basque society of the late 70s.
RTVE GALAS
During World War II, the icy Kazakh steppe was home to Spassk99, a Soviet-era labour camp into which the URSS would throw the enemies of the people. Amongst them were Spaniards from opposing sides: republican soldiers trained by the URSS, jailed on wanting to leave Russia at the end of the war in Spain, and volunteers with the Blue Division, captured after fighting with the Nazis in Leningrad. Natural enemies who must put their ideological differences to one side and join forces.
EITB GALA
A stunning journey into the soul and roots of Gipuzkoa offering a bird's eye view of its coast, discovering its most spectacular natural landscapes, the history and customs of its towns and cities. With original music by Fernando Velazquez and the collaboration of Toti Martínez de Lezea, Juanma Cembellín and Santi Yaniz. First instalment in the 9-episode documenary series Euskal Herria Hegan.
Films spoken partially or totally in Basque |
Children's films dubbed into Basque |
The Movies for Kids section offers a selection of six films for an audience of children to be screened in Basque, thanks to the collaboration of Zineuskadi as part of the Zinema Euskaraz (Cinema in Basque) programme.
Furthermore, and thanks to the collaboration with the Donostia International Physics Center (DIPC) and the Filmoteca Vasca, the Festival will run every morning a screening for Gipuzkoa school children at the Velodrome of Hayao Miyazaki' Totoro auzokidea / My Neighbor Totoro, dubbed into Basque.
Films in other sections with Basque subtitles |
Zinemira Kimuak (Exclusively for professionals) |
The Zinemira section will incluby the short film selection for the 2025 programme of Kimuak, an initiative of the Basque Government Department of Culture and the Filmoteca Vasca, which has the vocation to disseminate the best Basque short films of the year. This year the Kimuak selection inclubys seven short films: