Z365" or "Festival all year round" is the new strategic point of the Festival in which converge investigation, accompaniment and development of new talents (Ikusmira Berriak, Nest); training and cinematic knowledge transfer (Elías Querejeta Zine Eskola, Zinemaldia + Plus, Filmmakers' dialogue); and investigation, disclosure and cinematic thought (Z70 project, Thought and Discussion and Research and publications).
Reinhold Vorschneider was born in 1951 in Germany. He studied Political Sciences and Philosophy and Librarianship. He trained at the Deutsche Film- und Fernsehakademie in Berlin between 1983 and 1988. Since 1989 he has been director of photography for documentaries and feature films. Since 2004 he is also devoted to teaching activity for the education of cinematographers.
His credits include the films Der Philosoph (Rudolf Thome, 1989), Die Sonnengöttin (Rudolf Thome, 1992), Das Geheimnis (Rudolf Thome, 1996), Plätze in Städten (Angela Schanelec, 1998), Paradiso (Rudolf Tome, 2000), Mein langsames Leben (Angela Schanelec, 2001), In den tag hinein (Maria Speth, 2001), Marseille (Angela Schanelec, 2004), Der arme Verschwender (Michael Kreihsl, 2004), Schläfer (Benjamin Heisenberg, 2005), Madonnen (Maria Speth, 2006), Nachmittag (Angela Schanelec, 2006), Der Räuber (Benjamin Heisenberg, 2010), Orly (Angela Schanelec, 2010),Im Schatten (Thomas Arslan, 2010), Dreileben. Eine Minute Dunkel (Christoph Hochhäusler, 2011), Halbschatten (Nicolas Wackerbarth, 2013), Töchter (Maria Speth, 2014), Über-Ich und Du (Benjamin Heisenberg, 2014), Die Lügen der Sieger (Christoph Hochhäusler, in postproduction), Wild (Nicolette Krebitz, in postproduction).